Business Affairs: Project F.W.B.

By Melodi Roberts

    “You've been ignoring me, Dionne.” She stood her caramel, curvaceous frame in my office, whispering softly behind my right ear while I gathered paperwork for a meeting on the huge project bid we'd won. We were collaborating on it.

     I forced out a nervous chuckle. “Whatever. You ask questions and I answer them.”

   “Well answer me this. What's the risk in becoming a little bit closer as friends? I think I might've stroked up a little curiosity about it, right?” She kissed the nape of my neck.

  “Let's talk about all this later, Chris.”

  “Fine, then. Tonight. We'll—talk about it over drinks. Derek's doing some fantasy football thing at the bar. Come over later, okay?”

   I opened my mouth to respond, but my assistant called and rushed us to the conference room.

   I wasn't sure what I would have said to her. And now, as I looked down at my cell phone, I really didn't know if I could just go over and “have drinks” at her place. It felt like

a setup.

   Admittedly, the thought of another woman—pursuing me, as a close guy friend would during an obvious attraction, was kinda hot.

   Obvious attraction. Is that what this was?

   My phone buzzed at me. I flipped it over.

   “No worries. We'll do dinner tomorrow. Couples night.”

   “Cool!” I responded, relieved. I set the tone to silent, and headed out to the great room for Netflix night with my man.

   “Surprise!!”

    I was blown away as Sean and I entered the private party room of Blue Stream, my favorite seafood restaurant. Chris had apparently planned the “bigger celebration” we talked about last week as a surprise. Ten of my closest friends and my five staff members had shown up to celebrate the huge contract bid I'd won.

  “Guys! Wow! Thanks so much!”

Chris walked up to me, beaming in a short, black cocktail dress. I told her that her short haircut made her look like a 5’9” Nia Long. “You deserve every second. You're my girl, Di. I had to hook it up for you.”“Did Sean—” I turned and looked at my husband. “Did you know about this?”

   “I plead the fifth.” He kissed me, his full lips hugging mine. “But what I will say is that it's time to eat. I waited all day for this.”

   “You heard the man,” Derek said. “Let's eat.”

   Almost two hours later, it was approaching ten o'clock and we had cracked the second bottle of red wine open, contemplating on dessert as people started to head home.

   “I'm stuffed,” Chris said, pushing away her plate. “And this wine is running through me.”

    I nodded in agreement, my insides warm from drinking two full glasses. I blinked hard, trying to stop the room from tilting.

   “You guys get ready to go. We'll take care of the bill,” Derek said, standing.

  “C'mon,” Christina started, grabbing my arm. We entered the restroom and I stood in front of the mirror, looking through my purse for something to freshen up my face with.

   “Girl, give it a rest. You're absolutely perfect,” Chris said. About three inches taller, she stood behind me and placed her arm on my shoulder—the other around my waist. We glanced at each other through the mirror's reflection.

   “I can see how uncomfortable this makes you, but—I don't know. This connection we have was obvious from the beginning.” She searched my face in the mirror, looking for a reaction.

Unsatisfied, she turned me around to face her, and I stepped back, leaning up against the wall. After glancing at the bathroom door for possible intruders, she stepped toward me, standing only inches away from my face.

   “Since all you can do is play the victim and answer my questions,” she started, mocking me, “why haven't you stopped me yet, Di?”

    I glanced up at the ceiling, then at the floor, stalling. “Maybe—maybe some things aren't meant to—”

   “Meant to what?” She grabbed the strap on my red one-shoulder halter and yanked it down, partially exposing my breast. Then she dug her hand into my bra and pulled my nipple out of it, sucking it quickly, but gently. My panties were soaked in an instant. I

inhaled, closing my eyes.

   “Meant to feel good? Like that?” She lifted my skirt, using her finger to outline the triangle of my black thongs, but never ventured inside. My hips jerked backward and I grabbed her wrist, stopping her.

    She smiled, licking her lips. “Ok, Di. I'll leave you alone.” She stepped back, allowing me put myself back together. “You know what? It's really not fair for me to keep teasing you.” She chuckled. “I pushed your limits a little and you pushed me back. I'm not goin' to make this anymore awkward for us than it is already. But at least you know how I feel—about us. So, we can leave it here, in the ladies' room, and I won't ask you about this again. That cool?”

Relieved, I hugged her. “Thanks.” I released my grasp and we stood face to face.

   “So can I have one for the road?”

   “Have one what?”

     She leaned forward to kiss me and this time I welcomed it, my intensity growing to match hers. My kitty throbbed, begging for attention as I held on to her by the neck. Our bodies seemed welded together as we sprinkled kisses all over each other.

    The flicker of curiosity I had, only a week old, was now a raging fire. I wanted to know how she felt, her skin to mine. I was willing to let her fingers explore me. I slid my tongue into her mouth and she received it, grabbing my waist and pulling me even closer to her.

    I felt Chris's fingers walking up my thigh again, and this time I pushed my hip toward her in anticipation. The wall held us up as we remained wrapped in one another, moaning our goodbyes and filling this room with a dirty secret of our own.

BANG! BANG! BANG!

From the pages of Untapped: A Collection of Erotic Firsts. Get your copy today.

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Melodi Roberts: Unscripted, Inside-Out

Underestimated is the first word that comes to mind when I hear the name Melodi Roberts.

This author, editor, and creative genius stormed the literary scene with works: If You Don't Tell, and the "cherry-popping" tales, Untapped, just to name a few. Roberts unforgiving approach to express Black sensuality is a mere art-form -- you won't find blatant, glorified pornography in the confines of her work.

Melodi Roberts talent goes far beyond than words. She has quiet confidence -- a silent roar in the literary world as a mega-collaborator. Think of her as a big-time record producer arranging the best of the best to create platinum success. Indeed, she does not need to shout from rooftops to know she is gifted -- she just is. And once you read her literary gems -- whether you are a fan of eroticism or not -- that "untapped" emotion will sure to come out.

Imani: Melodi, I'm so honored you have accepted the invitation to join me in the Pink Lounge -- welcome. First off, let me ask the question I ask all of my guests: What makes Melodi Roberts the woman who she is today?

Melodi: Imani, thanks for having me. I would have to say the woman I am, or am becoming is ongoing. My life’s passions, personal and professional goal setting and overall curiosities help shape me and drive what I choose to do. My loved ones' ongoing support and encouragement are my fuel. And as I learn more, I grow more and continue to be a work in progress. And that’s absolutely fine with me.

Imani: You are a woman bearing many talents: graphic artist, businesswoman, editor, and of course, author. Tell us when you realized writing was your calling? 

Melodi: Well, actually I read sooooo much as a child and teenager, I was writing suspense stories in middle and high school for my friends. Then as I got older, I realized that I had so many interests—creative interests and so many of those passions drove me to get better at them and then help others get better at what they loved. Sometimes, I feel as though I take on too many projects. But I truly enjoy doing all of it.

Imani: You have an unapologetic approach of expressing sensuality. It had resonated through your brand since I have known you, and still to this day, you carry that honesty. So, tell us: where did the inspiration to write such artistry, because that's what erotica is—poetry in motion—come from?

Melodi: As far as the actual writing of erotica and ‘romantica’, I didn’t see or hadn’t read about the type of experiences I wanted to get lost in. And even worse, many of the stories I did find interesting, didn’t have black main characters. I mean, I grew up in the 90’s—I was surrounded by loving black families who were thriving and whose affection on TV was very genuine and public. Then towards the end of the first decade in 2000s...we slowly started fading away from mainstream where we were most visible to each other.

When DV and I started Naughty Ink Press, it was from the simple passion of telling more complete, more diverse and complex stories—that mirrored life. Especially the parts that people didn’t want to openly talk about. We wanted to “be about” what we “talked about”. We wanted to help shatter the myth of erotic being glorified pornography.

 Imani: You have collaborated with the best in the industry: Brittani Williams, Keith Williams, India Norfleet, and the aforementioned, DV Hent, to name a few. What was it like to work with these talented authors? And do you have plans for another collaboration?

Melodi: I absolutely LOOOVE collaborations! And if we could pay authors in real dollars in addition to the exposure, then I think I would have a ton of projects in the works! But seriously, as a writer/editor, I feel like the type of collections are endless and the challenge is to get my writers to THINK a few layers deeper about what I am asking of them in my collections. I try to pick themes and topics that scratch deeper than the surface. I try to take you back to College Creative Writing 101, lol. So when authors can honestly say, “Hey! This was different for me!” or “This really challenged me!” That makes me really happy.

I always have ideas for new anthologies that I want to put out.  Having “Little Black Book” ongoing and “Mood Ring” (which I feel is a challenging submission) still in the works, my goal is to get those projects done first. I’m still taking submissions. ;)

Imani: You're still taking submissions for "Mood Ring", huh? I think I know someone still owes you a submission (clearing throat). But on a serious note, explain why do you think the submissions for this project are challenging?

Melodi: I feel that they are challenging because typically when authors are asked to come up with some hot sex scenes, the biggest worry has to actually do what/how they scene will unfold, and that's fine. With Mood Ring, I'm asking the authors to create the scene with the mood indicated or implied in the color they've chosen. And in my mind, I kind of have stories that have authors who can really tie the meaning/mood of their color into the final product. For example, Green is typically greed, or earthy. Red is passion or anger....  With this anthology I'm asking the author to be subtle and/or creative with how the sex/erotic scene unfolds based on the color/mood. So essentially, the writer's goal is to wrap the essence of the sexual interactions in the Mood Color they chose. 

Imani: Besides the sex, of course, what makes a great erotic story?

Melodi: I would say creating chemistry between the main characters. Being smart about how you describe your surroundings and of course: Realistic dialogue! I cringe at some of the ‘erotica’ I read where it reads like a—you guessed it—glorified corny porno. As a reader, I want to be seduced by the words on the page, not bombarded with vulgarities masked as erotica. I mean how sexy is eye contact between two forbidden lovers? Undressing them in the dark? As a writer, how sexy can you make that appear to your audience? Foreplay is soooo important in erotica and giving depth to your characters will honestly make or break anything you write in this genre, in my opinion.  I mean, “What’s my motivation?”

As a reader, I want to be seduced by the words on the page, not bombarded with vulgarities masked as erotica. I mean how sexy is eye contact between two forbidden lovers? Undressing them in the dark? As a writer, how sexy can you make that appear to your audience? Foreplay is soooo important in erotica and giving depth to your characters will honestly make or break anything you write in this genre, in my opinion.  I mean, “What’s my motivation?”

Imani: Exactly! Now, let me ask you this, and it may seem to be an awkward question since the subject is erotica: Does a long, drawn out sex scene slows the storyline or makes it better?

  

 Melodi: In all honesty, this really depends on the author's set up. If you've got a couple/group that have been cat and mousing and tip toeing around sexin' each other AND you've managed to pull the reader into the lives or conflict in the set-up then a longer, graphic encounter would be very satisfying.  But if this is a steam room hook up at the gym--the sex scene could be short and sweet and still very satisfying.  If your sex scenes slow down your story for the reader, it's because they are too similar in nature, there is no variety in the set up or the plot just doesn't hold the reader and they aren't invested in having sex with your characters, lol.

Imani: There are some who assume erotica equates hard core pornography. Explain to the readers who aren't familiar with genre the types of erotic stories that are out there.

Melodi: Well, talking strictly my opinion, I feel that erotica or erotic elements can stand alone or be infused into other genres as well. Using D.V. Hent’s work as an example, his first novel, “If You Don’t Tell” was more like relationship drama with the heavy focus on graphic sex scenes. But those characters had depth and life, so their purpose was not to make them just have sex with each other. The graphic scenes were built up and the conflict was of a sexual nature. But many of our readers were invested in the outcomes. They really cared about our Simone, Laela and Quinton. That was what we were trying to achieve.

In Valentine—the dial was turned up and many of her life’s situations and ambitions even, were of a sexual nature. Her scenes were graphic, but she was given a very strong voice. She had a story that could have easily survived the omission of the any graphic sex in that novel. DV did an excellent job of balancing out her strengths and flaws, and once again, his readers absolutely loved her! Hot sex scenes were a bonus!

In Untapped, I wanted to create a collection that dealt with not just fucking, but actually adding a theme that could be identified in each story and it was different for each author. I had so much fun editing those stories and putting them together. I wanted to make sure our readers had a large variety of “cherry popping” in those stories, and I think we accomplished that.

Imani: Let's change the subject a bit and discuss further about black sexuality. Since you are a passionate social commenter like me, what is your opinion of how the media (news, movies, or magazines) hyper-sexualize the black woman?

Melodi: Honestly, I feel that it puts us in a no-win situation. We aren’t hypersexualized to our collective benefit—if that makes sense. We aren’t presented in ways that make us deserving of love, revered, sexy, classy and worthy of commitment. I feel that we are put into a box that may focus on one or two positive traits (like strength/perseverance). The rest is presented as a direct contrast to mainstream (read European) standards and frames us essentially as a: Mammy, Jezebel, Angry Black Woman, Over emotional and broken, or impossible to co-exist with because ‘we don’t need a man’.  Oh, and I forgot Welfare Queen.

I guess that is why I want so much to change that image of an unlovable black woman in my work and the work I put together.

We aren’t presented in ways that make us deserving of love, revered, sexy, classy and worthy of commitment. I feel that we are put into a box that may focus on one or two positive traits (like strength/perseverance)

Imani: Since we're talking about sex, let's talk about HIV in the black community. It's a fact the number of affected cases have risen to a staggering 47 percent in 2011, according to The Family AIDS research. So what are your thoughts as to why the numbers keep rising? Is it poor education or outreach in the community? Or, people aren't taking the virus seriously?

Melodi: Great question.  I feel that it is really a collection of those things. I also do agree that the frontrunner of these is lack of education. Modern medicine has really taken the sting out of the fear of contracting HIV because sooo many people are living long, productive lives with it. Very few cases are truly brought to the forefront regarding full blown AIDS as a modern epidemic. The healthcare community must remain diligent in educating the young and old about the real life changing dangers of HIV.

Imani: Okay -- let's switch gears and go off-topic to talk about an issue that affects every citizen in this country, especially people of color. Now the tragedies that have filled the news and social media of unarmed men have seemed to becoming an unfortunate new normal. With these images of police brutality inundating our screens, has created a deeper mistrust. In your opinion, how can law enforcement rebuild trust in an already tense situation?

Melodi: Whew…that’s a very layered question. I feel so many different ways about this one. Honestly, I feel that “law enforcement” has become a culture of fear cultivation and population control (of emotions.) This culture of individuals who call themselves officers of the law—who make individual choices to commit these atrocities have never really had the full, unfettered trust of Black folks as a whole. I don’t feel that that relationship between us and them was ever healthy or thriving. I mean, if the first officers were slave patrolmen—our jobs as citizens is to know as much of our rights as possible and cross cultural and racial barriers to call these crooked establishments on their shit.  I’m sorry if I’m rambling…I find it so hard to find a rationale solution to something so irrational and even inhumane. I just feel like I’m too old to have to tell my kids about how NOT to arouse the attention of cops for fear that THEY may assault YOU.

Imani: I've been wanting to ask this for a while, and now I have you in The Lounge I have to get this out since mega-producer and music artist, Pharrell injected it in our lingo: What the heck is a "new black"?

Melodi: Complete Bullshit. Nonsensical, sambo, sell-out, tap dance for massa, grade A bullshit. For years I felt like he was a breath of fresh air—so creative and willing to take chances in music production and then he “crossed over” and went nuts…just like Kanye. But I digress…

Imani: Now on a relaxed note: If you were to plan a dinner party and have extended the guest list with three legendary figures (living or not), who would they be and what one question you would ask them?

Melodi: Whitney Houston: Have you ever written a song and can you please sing it? ( I love Whitney and knew just about every song she sang. This is out of pure curiosity.)

Michael Jackson: What/Who is/was really behind all the craziness in the music industry? ( I believe Michael knew way more than he was every allowed to share alive.)

Stevie Wonder: Where do you get the endless creativity and motivation to write timeless songs?

Imani: What future projects do you have in store?

Melodi: Well, for right now, the future is the present. My goal is to increase the amount of digital ebook shorts we have available and continue to work with authors for exposure and FUN! And to encourage DV to get on them sequels to Valentine and If You Don’t Tell, lol.

Imani: Finally, describe in one word Melodi Roberts' work?

Melodi: Inside-out.

Imani: As we conclude the interview, tell the readers where they can purchase your other work, as well as finding you on the web?

Melodi: On the web, we are at www.naughtyinkpress.com

Our 3 books are on Amazon:  If You Don’t Tell, Valentine and Untapped: A Collection of Erotic Firsts

Thanks so much for having me, Imani. This was truly a pleasure and I really enjoyed our interview.

Imani: Likewise, Mel! Come back to The Lounge anytime!  

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Delia Wynne: The New York Southerner

Delia Wynne is a native New Yorker with the gift for words. She made her debut in May 2014 as an author with her novel titled, Hope’s End – a story many know all too well of domestic violence, drug abuse, and depression.

I've met Delia a few months ago as she was promoting her novel online. ‘Quiet, but fiery with passion’ was my initial impression. The more we exchanged pleasantries, the more I wanted to know her story – and reading Hope’s End only furthered my curiosity for this character-driven novelist.

It was an honor to hear her speak with candor in The Lounge. What she conveyed, I’m sure many authors and readers can relate. 

Imani: Delia, thank you for joining me in The Pink Lounge -- welcome. Let me ask you this question, something different from what I ask my guest: Tell the readers more about you and the type of work you write.

Delia: Thanks so much for having me. I am a native New Yorker now happily living in the South. Ironically, I place almost all of my stories outside of my own settings. They are stories of women attempting to overcome barriers and great odds. Sometimes, by the final page, they do succeed. Oftentimes, there is a twist that comes along with whatever resolution they end up with. One common thread in all of my stories, though, is that they are always character-driven. Their decisions and actions move the plots forward, not the other way around.

Imani: When did that epiphany hit you and you realized you were a writer?

Delia: I realized it pretty young- by the time I was twelve, I was already writing novellas. Before that, I was very imaginative, daydreaming all of the time. My childhood caused an “anywhere but here” mentality in me, so I created different worlds to live in. That gave me a lot of practice when I started to seriously plot novels. Once I was out of my teens, I concluded that other people may want to read this stuff and that maybe I could do it professionally.

Imani: What's your methodology of a solid storyline?

Delia: A solid storyline of mine always contains a likely threat of disaster. Too often I’ve read novels, especially literary ones, where I am bored stiff because there is clearly nothing that can or will harm what the author is describing. Everything is too pat. When I am plotting a storyline, I always make sure that there is something that can wreck the characters’ lives, whether that is a hurricane, an extramarital affair, or a bankruptcy. This will always be the main plot, and of course, a good storyline is always comprised of scenes that absolutely function, whether they are to advance the plot or deepen characterization- no filler allowed.

Imani: Let's talk about your book, "Hope's End" and the wayward teen, Frances Mitchell. It's a powerful read; especially, how you centered the focal point on a host of important issues -- domestic violence, alcoholism, and drug abuse. But the honesty you have put forth for Frances, bearing the darkness of clinical depression, is all too real for many. Please tell the readers the importance of writing this character dealing with these issues.

Delia: I think it’s always important to address uncomfortable issues such as these in fiction. Wounds heal best out in the open. The fact remains that domestic violence is all too common, and too many people are self-medicating themselves, like Frances does, with drugs and alcohol when they have a diagnosable mental disorder. As for clinical depression, this may be the most taboo of all subjects, especially in the black community. It’s just not taken seriously enough. Most people think to be suffering a mental illness, one has to be -an axe-wielding maniac or drooling at the mouth. Clinical depression is not treated as the grave, uncontrollable disease that it is, which is a tragedy. Another relative issue I’d like to bring up is everyone’s ignorance of Frances’s condition. Lots of times people in reality, too, fail to recognize the symptoms of depression until it is too late. It often takes a suicide attempt, a drug overdose, or worse, for people to realize that something is really wrong with their loved one.

Most people think to be suffering a mental illness, one has to be -an axe-wielding maniac or drooling at the mouth. Clinical depression is not treated as the grave, uncontrollable disease that it is, which is a tragedy. Another relative issue I’d like to bring up is everyone’s ignorance of Frances’s condition. Lots of times people in reality, too, fail to recognize the symptoms of depression until it is too late. It often takes a suicide attempt, a drug overdose, or worse, for people to realize that something is really wrong with their loved one.

Imani: When I read the book, I don't know how many times I said, "Yep! I can relate; I've been in 'Frances Mitchell' shoes. As a writer, where did the inspiration of this character had come from?

Delia: Frances’s character is symbolic of several themes. When I wrote Hope’s End, I was suffering through a depression, myself. I decided to express my anguish, disgust, hurt, and anger through a novel. This is why I think the read is so powerful, it came from my imagination, yes, but it also came from the heart. The original title of the book was in fact, ‘Out of Rage’, as Frances represents of all those terrible feelings I was having. She is both pain and hope personified. It may not be lost on readers, either, that this is a modern-day retelling of Cinderella, since she’s rescued from an abysmal situation by a prince-like suitor and lives happily- at least for a while. The twists towards the end of the book is, in part, what separates it from the classic tale, though.

Imani: Without expressing too much of the plot, what made you decide the twist?

Delia: Well, I love irony, especially in my own work. Life is unpredictable and sometimes unfair. But even if it does even out, resolutions aren’t always satisfying. I like for my art to imitate that fact of life, and frankly, I also like to jolt my readers. I feel it makes for a more unforgettable reading experience and doesn’t compromise realism, in fact it reinforces it.

Imani: What you know as an author now, meaning the common mistakes new and self-published authors make. If you can go back in time to meet yourself as a novice writer, what advice would you give yourself?

Delia: Honestly, I am still learning. I don’t consider myself a new writer anymore, but I’m far from an experienced veteran. The one thing that I’d tell my past self is to work harder at promotion, because I spent a lot of time thinking that sales would just fall into my lap, then I became discouraged when that didn't happen. Promotion takes almost as much effort as writing, itself, does.

I don’t consider myself a new writer anymore, but I’m far from an experienced veteran. The one thing that I’d tell my past self is to work harder at promotion, because I spent a lot of time thinking that sales would just fall into my lap, then I became discouraged when that didn't happen. Promotion takes almost as much effort as writing, itself, does.

Imani: Where do see your career standing in five years?

Delia: I hope to see Hope’s End exposed to a whole lot more people. Of course, I’d like to have several more books out there doing well, and I do have other stories to tell. But I’d ultimately love to see Hope’s End reach the level of Push/Precious, or The Color Purple.

Imani: Do you have any projects you are currently working on, or any new releases you would like to share? And if it's a new release, please share a brief description of the story and its characters?

Delia: My latest story is an Urban Lit effort named Brie & Dallas. It’s about a former streetwalker that helps her ex-pimp through a life-threatening crisis. The main question is whether they can live together clean and square, or will their old habits get the better of them. It’s less serious and more freewheeling than Hope’s End. There is a lot of authentic, graphic content in this book, but I decided not to use the same bleak mood that I did in Hope’s End. Brie & Dallas is a more straightforward, action-focused tale.

Imani: Finally, tell us one thing you haven't shared with your readers. It can be a quirk, a favorite food, or a hidden talent. The floor is yours.

Delia: I’m an amateur comic book artist and have my own graphic novel called Track Star. I’m obsessed with track and field, so I came up with a story about a gorgeous sprinter who has a glamorous life and jet-setting career. It’s a hobby and a labor of love.

Imani: Fascinating! Will you pursue this avenue in comics someday?

Delia: No, it’s just something I like to read back and enjoy myself, but I never mind showing it off to interested people.

Imani: Delia, thank you for stopping by The Lounge. I had a blast. Tell the readers where they can purchase your work, as well as finding you on the web?

 Delia: Sure. Hope’s End is available in print and as an ebook at http://www.amazon.com/Hopes-End-Delia-Wynne/dp/149959383X, and on Barnes & Noble at http://www.barnesandnoble.com/w/hopes-end-delia-wynne/1119964927?ean=9781499593839. Brie & Dallas is available at http://www.amazon.com/Brie-Dallas-Delia-Wynne-ebook/dp/B00O2MJ6EI.

People can email at any time at deediwynne@gmail.com.

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The Intriguing Mysteries of Lori Titus

There’s nothing more intriguing than an author who thinks outside and beyond a box to create frightful tales of ghosts, zombies, and dark characters from beyond.

A couple of weeks ago, as I was searching for new guests among a plethora of writers online to fill the Pink Lounge, Lori Titus had caught my eye in a writing group. Perhaps it was piercing her brown eyes and her gentle smile speaking to me from her profile picture; or, her love for the paranormal was just as profound as mine; or maybe...just maybe...I needed to know who this author was in a genre with so few African Americans. 

Imani: Lori, thank you for joining me in The Pink Lounge -- welcome. Let me ask you this question I ask all of my guest: What makes Lori Titus the woman she is today?

Lori: Many things go into making someone who they are. Two things that my mother taught me come to mind. Perseverance, because success requires trial, failure, and the stubbornness to get back up. The other value would be a curiosity about life and learning in general. .

Imani: As I was conducting research for this interview, I've noticed on many sites around the web that you convey mystery and intrigue. Share with the readers how writing "intrigued" you, and how did it lead you to the paranormal genre?

Lori: Writing, no matter what kind of story, is about unlocking mysteries. I love to get into the mind of a character, to hear their inner thoughts. Paranormal stories interest me because they allow you to operate without the ordinary rules. If you can create a world where monsters exist, telepathy is a given, or ghosts live among us, anything is possible.

Writing, no matter what kind of story, is about unlocking mysteries. I love to get into the mind of a character, to hear their inner thoughts. Paranormal stories interest me because they allow you to operate without the ordinary rules. If you can create a world where monsters exist, telepathy is a given, or ghosts live among us, anything is possible.

Imani: What's your methodology of a solid storyline?

Lori: My story ideas start with a question. What happens if a girl has abilities that she hides? What would happen if the dead could come back in one cursed town? From there the storyline develops through the actions of the characters. Each step supports the storyline and advances the characters' journey.

Imani: So is it fair to ask that you are character-driven?

Lori: Yes, I guess you could say that. I definitely like to experiment.  If I don’t like how something comes out it can always be cleaned up in the editing process.

Imani: Although we have known each other for a brief time, as well as reading most of your work online, I want to say before we go further that you are a phenomenal writer. So, share with the readers each of your titles and their brief descriptions.

Lori: Thanks so much for the compliment!

Here's a list of my titles:

Hunting in Closed Spaces: A young girl is abducted by a man who says he was sent to protect her. Why are the powerful members of The Circle out to get her at any cost?

Lazarus: In Lazarus, California, 1869, the dead don't always stay that way. Enter Luella, a woman with a mysterious past and a plan to stop the dead from rising.

Green Water Lullaby: A collection of stories featuring ghosts, ghouls and other bad things in the town of Chrysallis, South Carolina.

Hailey's Shadow: As an adult now accused of murder, Hailey had a troubled childhood, and was known for starting fires. Are the "shadows" that she sees a fabrication of a disturbed mind, or are they real?

The Guardians of Man: This novel was a collaboration with Crystal Connor. In an isolated mountain community, residents fear the coming of winter after a worldwide power outage has left them without heat. What starts off as a technological disaster is revealed to be something worse - the ultimate battle between good and evil.

Imani: Of all of your characters, which one you would like to interview and why?

Lori: I would like to talk to Justin, Marradith's love interest from Hunting in Closed Spaces. He's one of those characters you never know what he will say.

Imani: The Paranormal genre have a pool of talented writers, and yet the number of African American authors are minimal. Why do you think that is so? And could it be an unreasonable fear within the African American community towards the genre?

Lori: I am not sure what it is. I believe that fundamentalist religion has something to do with the fact we don't see many blacks writing in paranormal or horror genres. That said, we are big consumers of this kind of fiction, in books and movies. I believe it’s considered a guilty pleasure by most in the black community.

 I am not sure what it is. I believe that fundamentalist religion has something to do with the fact we don't see many blacks writing in paranormal or horror genres. That said, we are big consumers of this kind of fiction, in books and movies. I believe it’s considered a guilty pleasure by most in the black community.

Imani: Now, you have coauthored a few titles with authors; such as, Crystal Conner and Olivia Weston. Tell us how you met these individuals, and what are the pros and cons to coauthor books?

Lori: I met Crystal through Facebook. After a while we started talking about writing together. Crystal writes more horror driven and sci fi dark fiction as opposed to mine, which tends to be paranormal and romance driven. Olivia Weston had edited for Crystal before, and she agreed to edit The End is Now and The Guardians of Man.

Imani: Do you have plans for another collaboration with these ladies? Or, are you flying solo with your own project(s)? And if so, could you share with us the details?

Lori: Crystal and I don't have anything specific planned, but I am sure we'll collaborate again.  I have a plot idea that I am holding on to just in case.

Imani: Among your litany of accolades and achievements, you also own the website "Flashes in the Dark". Share with the readers the concept behind this site, and where do you see it going in five years?

Lori: My goal for the next five years remains the same but on a larger scale - to introduce new and established writers to readers who don't have much time but want to be entertained.

Imani: Tell us one thing you haven't shared with your readers. It can be a quirk, a favorite food, or a hidden talent. The floor is yours.

Lori: I think most people would but surprised to know that most of my stories have tie ins. Luella is a great aunt to Marradith. The Guardians of Man also has a tie in to The Marradith Ryder Series.

Imani:  Finally, as an artist, we have muses and person(s) we admired to help shape our craft. So, who is your inspiration and if they were here right now, what would you say to them?

Lori: I would tell my sister, Linda that it was all worth it.

Imani: Lori, thank you for stopping by The Lounge. I had a blast. Tell the readers where they can purchase your work, as well as finding you on the web?

Lori: My work is available on Amazon.com. I am expecting to have a new novel called The Bell House out in December or January. I also have two novels in progress. One is tentatively titled The Daughters of Cain, which is about halfway through the first draft. The second is The Art of Shadows, which will be going to an editor soon. Shadows is the second book in The Marradith Ryder Series.

To learn more about Lori Titus and her amazing work visit her at LoriBeth215.wordpress.com and FlashesInTheDark.com.

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Tamyara Brown: Phenomenally Empowered!

Author of Blue’s Treasure and The Gatekeeper of Secrets, this decorated storyteller have stepped into the literary scene as a blushing novice. With her unwavering support to authors and her growth as a writer in a competitive industry, Brown had expanded her brand – with her business partner, Jeanell Byers – Taylor – and created “Beautifully Me Undefined”, a blog for the spirit of women of all shapes and sizes.

This breast cancer survivor, a mother of six, and a grandmother to four, Tamyara Brown’s literary legacy is only in its infancy. Her natural ability to give life to her characters and the vividness of her storylines, proves this author will leave a indelible mark as a unforgettable novelist. 

Imani: First off, welcome to The Pink Lounge. I'm very excited you're here, not because you and I share similar backgrounds and interests, but you have an incredible and inspiring story. So, in your own words tell the readers who Tamyara Brown is?

Tamyara: Tamyara Brown is an author who loves writing outside of the box. I am a mother of six beautiful children as well as a grandmother of four beautiful grandchildren. I am resilient. I am an entrepreneur I love inspiring and seeing others do well.

Imani: From what I read on your bio, your strength as a mother of six, a Breast Cancer survivor and of Domestic Violence, and caring for your son who has a rare kidney condition is an inspiration itself. That being said, as a writer myself, I know creativity doesn't come in the drop of a hat; it'll come when it comes. So tell me, how you muster the time, and more importantly, the emotions to write such eloquent work?

Tamyara: It is my passion, my joy but most of all a way for me to express myself as a person. A lot of my writing is inspired by the community I live in, people I meet every day and encounter with. As writers we often listen more and we are drawn to always ask, "What if"? My mind wonders what would happen if this person or situation went a different route. Sitting with my son at dialysis is my down time to really write and pour myself into the book I am writing. It is an attitude that trials and tribulations will not stop me at all.

Imani: All of your children seem to be one of your sources of inspiration; especially giving you words of encouragement. But a young man named, Ruben, pushes you into believing you can do ANYTHING your heart desire. Tell us more about this motivator and what's the recent "words of wisdom" he had shared with his mother? 

Tamyara: He is indeed my inspiration he has been battling a rare kidney disease named FSGS and nephritic syndrome. He has endured many challenges and now being on dialysis three times a week, 25 pills a day and he still smiles. He encourages me because my belief is if he can fight with every fiber of his being to stay resilient. I have no excuse. His last quote was during therapy, “The greatest love is letting go of what doesn't feel like love, what doesn't treat me like love and hurts so much it burns your heart. I let go of this one person because I love me the best and I don't deserve love that hurts. No one does."

“The greatest love is letting go of what doesn't feel like love, what doesn't treat me like love and hurts so much it burns your heart. I let go of this one person because I love me the best and I don't deserve love that hurts. No one does."

Imani: What I'm most impressed with you is the soul you put into your work - from your debut novel "Blues Treasure", to "The Gatekeeper of Secrets, and your upcoming release, "Fat Girl Vigilante", how did your soul speak to you to write each story? Let's start off with "Blues Treasure" and then to your next works.

Tamyara: Blue's Treasure was truly inspired by a relationship with someone I love and though we are not together he loved me unconditionally. He was incarcerated and I decided to go into his world of how it felt to have the woman he loves not write or visit. Even though the story is fictional the emotion is real. I thought of the consequences, the pain and anger he felt and how powerful love really is. That men love just as hard as women do. I wanted to put the question out there does love really conquer all? Can love cut through anger? Does it mend a broken heart and most importantly men no matter how tough and strong have feelings at the end of the day. Harper Blue was created in the likeness of him. I also wanted to touch on domestic violence and that professional women become abused by their mate. I touch on forgiveness and drug abuse.

Gatekeepers of Secrets is one of my favorite novels which is on Wattpad. It touches on a man who is sexually molested as a child and for all these years he has kept it secret. He was raised in a Christian home and a father who is the pillar of the community. How do you tell the world the Bishop of the church and community leader is a child molester? I allowed my mind to go places of a man who has it all together, who too is a community leader but also has a dark past. So many people believe when a man is molested he turns to drugs and alcohol which isn't true. In William Matters case he became driven, ambitious, working without sleep for hours to cover up the truth.

Fat Girl Vigilante was written out of anger, hurt and pain I was going through. It was being angry at the world and I needed to vent. So I created a story about a woman who is the first serial killer. She is on a rampage but more than anything she can't get over the hurt and pain of being teased as a plus size woman, being cheated on and not feeling love. I want every woman of size to realize you can fix the outer but the inner is what is in need of repair.

Imani: Besides being a prolific author, you're also a poet. When did you start writing the craft? And will you publish your poetry, or collaborate with other poets to make an anthology?

Tamyara: Poetry is my first love and I started writing when I was 11 years old. I became inspired by a poem Langston Hughes wrote called, "The Negro Mother". I instantly became fan and started writing my own poetry. I began writing every day and I haven't stopped. I would love to publish my poetry for the world to read and I have contributed poetry to three anthologies.

 Imani: As an artist, we have muses or person(s) we admired to help shape our craft. So, who is your inspiration and if they were here right now, what would say to them?

Tamyara: I have to say I admire Treasure Blue as an inspiration. Kisha Green for the business portion and you, Imani. Each of you drop gold nuggets of knowledge about the business. I truly thank each of you for every tip and lesson about writing. For being open and honest. Willing to answer questions and listen. I am grateful for each of you because I am better writer because of it. Imani, we both where new to writing and you'd email me information. You gave me my first guest blogging spot. That meant the world to me.

 Imani: They say life is a journey and you are a proven fact. In the last year, you've taken up a new passion - graphic designing. How did you learn to balance this new craft with an already full-plate?

Tamyara: Graphic Designing came from honestly not being able to afford one. My Uncle Khalid once told me, “If you can't afford it then learn how to do it yourself." I begin looking at videos on Youtube, reading blogs, learning how to code and just practicing every day. I just ran with it and it became more like a second new passion of mine.

Imani: Among your notable titles, you're also a blogger. You have a successful blog called, Beautifully Me Undefined. Tell us more about this site and how did you come up with the concept?

Tamyara: Beautifully Me Undefined came about one day when I realize we as women don't celebrate our bodies, ourselves. We think celebrating you have to perfect. A size two or four. I wanted plus size women to be bold, feel beautifully themselves at all times and live life without limitations. Your weight doesn't and never will determine your worth. It became a movement along with my partner Jeanell Byers- Taylor. I want plus size women to feel empowered. I want women all over the world to feel sexy and rock their curves. Beauty and Love doesn't have a waist size.

Imani: Okay, let me say to all of the readers, this woman is a powerhouse when it comes to writing. She writes all of time, despite of an uncertain publishing date - she goes on no matter what. So, within your library of finished work or work-in-progress, or even Beautifully Me Undefined what can we expect from Tamyara Brown in the future?

Tamyara: Thank you, Imani. I am currently working on a story called, “I AM Here" which you read on Wattpad. I am also working on another book called the, " B.L.A.H Diaries" (Broke, Lonely, Angry and Horny). As For Beautifully Me Undefined it is my goal to have my first conference of workshops, celebrity speakers and two days of empowering plus size women to step out of their shell and shine. Filled with tips on fashion, make-up, hair, how to open and start a business as well as self-publishing your book.

 Imani: Tell us one thing you haven't shared with your readers. It can be a quirk, a favorite food, or a hidden talent. The floor is yours.

Tamyara: I love to write erotica. Often people are afraid of the SEX word. I like stepping out of myself and creating a moment that will make people melt away their inhibitions. Sex is about power play of the mind, the soul and heart. Using those three to seduce a reader to think hmm I would like to try that with my husband/lover. I love writing what people are afraid to talk about. It is like the librarian who has a crush on the security guard. Or the business woman who is infatuated with the thug or the nerd. Imagine the magic you can ignite between those two souls once they let go of what people might think. The man who models but desires a plus size woman. Erotica gives me permission to break boundaries and change the rules of what is sexy. Every man and woman has a definition of what they consider sexy. Erotica gives you the room to explore and make people squirm in their seats.

"Erotica gives me permission to break boundaries and change the rules of what is sexy. Every man and woman has a definition of what they consider sexy. Erotica gives you the room to explore and make people squirm in their seats."

Imani: What I admire most about you is your no-nonsense approach of how beauty is supposed to be; whether of what shape or size, your mantra is "Beauty is skin deep". So, are we to expect an erotic novel proving size doesn't matter in the bedroom?

Tamyara: Yes and I think sexy is the confidence a woman feels. For a moment I use to think sexy is the right size, the right body, the pretty face, hair etc. The truth is sexy is about letting go fears of what YOU think. The novel will challenge the myths we create about our bodies. A man wanting you to fit society standards for beauty. I want plus size beauties to know they can be sexy and there are men who love every inch of them.

Imani: Finally, if you were to plan a dinner party and have extended the guest list with three legendary figures (living or not), who would they be and what would you say to each of them?

Tamyara: I would like to invite Maya Angelou, J. California Cooper, Langston Hughes, Terry McMillian, James Patterson, Jodi Piccoult, Danielle Steele and Mary B. Morrison.

Imani: Great choices. Now before we conclude our chat, could you share with readers where they can learn more about FSGS and Nephrotic syndrome?

Tamyara: For more information on FSGS and Nephritic Syndrome. Please go to www.nephcure.org, which is a community centered on finding a cure for FSGS (Focal Segmental Glomerulosclerosis) and Nephrotic Syndrome.

Imani: Tamyara, thank you for taking the time to stop by The Lounge for this conversation. I had a blast. Tell the readers where you they can purchase "Blues Treasure" and your other works, as well as finding you on the web?

Tamyara: http://www.amazon.com/Blues-Treasure-Tamyara-Brown/dp/0985829990

Twitter: @tamluvstowrite

https://twitter.com/Beautymeundefin

Facebook: www.facebook.com/tamluvstowrite                            

www.facebook.com/beautifullymeundefined

Linkedin: http://www.linkedin.com/pub/tamyara-brown/36/830/a7b

Google: https://plus.google.com/110148527626968911093/posts

Website: http://www.beautifullymeundefined.com 

email: tamluvstowrite@gmail.com

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