Imani Wisdom's brainchild -- Pink Noire Publications -- has been known for her unpredictable style of storytelling. Now its founder is expanding the "pink and black" brand to shine on prolific artists. From the inspirationalist, Danica Worthy to bestselling author, Stacy Deanne, Pink Noire understand these talented individuals know how to express their craft through words, song, dance, and stroke of a brush.

Showing posts with label black literature. Show all posts
Showing posts with label black literature. Show all posts
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Convictions of Faith, by R.S. Basi


Convictions of Faith is the story of a powerful African Heroine, Kimpa Vita, and her quest for African equality.  Sometimes called the “African Joan of Arc,” Kimpa Vita challenged and nearly toppled the powerful Catholic Church in Kongo. Based on actual events, Convictions of Faith tells her story with an African perspective.

Claiming to be the reincarnation of Saint Anthony, Kimpa Vita began and led a crusade for the dignity and equality of African culture and belief in the face of Portuguese hegemony. But it was not easy.  Constant reminders of her own mortality created a crisis of faith in her, providing an opportunity for the power structure she challenged.  But the king and church faced similar existential and moral crises as they navigated between collapse and almost unimaginable wealth.

Convictions of Faith describes the political intrigue, betrayals of love and faith, and moral dilemmas that led to Kimpa Vita’s trial and ultimate demise. The novel explores the dichotomies of murder, ambition, and betrayal in pre-colonial Africa, and offers a glimpse into the powerful forces and compromises in morality that fueled the commerce of slavery. To provide cultural context critical to discerning the truth about Kimpa Vita’s life, Convictions of Faith offers an Afro-Centric perspective on actual events recorded by Portuguese missionaries. 

Though burned at the stake for heresy, Kimpa Vita started a movement that could be discerned thousands of miles and hundreds of years away. 



Read the Excerpt Now:

Faith, made infallible by naïve confidence, fomented the beginning.  As betrayal and sacrilege conspired to acrimony, that same strain of faith likewise ensured the end.  But, unlike the simple narrative history celebrates, this story’s outcome was much more than a reincarnation of its origin. Kimpa Vita’s mortal deeds and misdeeds, often inseparable, compelled her conviction because belief, like truth, is personal.
On the eve of her birth in 1783, the Mbidzi River ran furious from six days and nights of thunderstorms.  The first raindrops that danced on Kongo’s parched fields were welcomed as saviors. By the third night, however, the soil faced a new desperation, begging for respite as its grip was wrested from the land.  The relentless water began savaging homes, crops, and nearly everything else the BoKongo held dear. In later years, some would recall the deluge as an omen, claiming that nganga marindas, the seers of things to come, had foretold the coming of an oracle. Everything on this earth, it was often said, unholy, diseased, and rotted by the ego of man, must be washed away in preparation for any immaculate advent. 
The day of Kimpa Vita’s birth arrived, but the world didn’t change perceptibly. That would take some time. 
“What shall we name her?” asked Manoka, her mother, when her newborn daughter was placed in her arms.
“Kimpa Vita!” exclaimed her father, Fumu, without hesitation, his hulking muscular frame hovering closer to inspect her. He kissed his tiny daughter on the forehead with a gentleness one wouldn’t think a hardened soldier capable of. 
“Perfect,” nodded Manoka. “The body of life.”

Fumu’s large hands reached for and cradled Kimpa Vita, his first child. He sat holding her for nearly an hour, marveling at her tiny features, oblivious to anything around him. Then, as suddenly as he had fallen into her trance, Fumu stood and, with a sigh, handed Kimpa Vita back to Manoka. Without a word, he collected some belongings and purposefully stepped outside, marching off to battle.
Over the next four years, Fumu was off in battle nearly as much as he was home watching over his daughter. But wars of commerce meant walking ever farther to capture fewer slaves, and men like Fumu were slowly being replaced by younger, stronger soldiers who could march farther with less rest. This left Fumu to attend to defense duties closer to home and to have much greater influence on his daughter than the average soldier might have. 
Kimpa Vita’s early years were unremarkable but for the fact that some elders considered her clairvoyant, a prognosis that divided her parents. Manoka was thrilled and took credit for what she considered Kimpa Vita’s gift, reminding Fumu that she came from a family known for special abilities.
“Remember when we first knew?” asked Manoka.  She and Fumu were relaxing in their home after having had a meal of manioc and antelope. 
Fumu shook his head in exasperation. He took a sip of palm wine from a large, red gourd.  He had never been as willing as Manoka to see supernatural forces at work and the palm wine threatened to loosen his tongue.
“Remember?” Manoka demanded.
“A dream she had about your grandfather that you immediately imputed to her receiving messages from the ancestors,” sighed Fumu.  “Yes, I remember.” 
“You may ignore it,” scoffed Manoka.  “But you may not change the truth. She never met my grandfather, and she described him precisely.”
“Truth?” sneered Fumu finally.  “You assign connections with great ease because you ignore the simplest explanation.  How many times have you described your grandfather to her?”
“She healed Nsama,” Manoka reminded him, referring to one of her neices who, seemed to have recovered from a common sickness after being embraced by Kimpa Vita.
“Or it was coincidence.”
“Believe what you wish,” said Manoka, turning away.
Fumu, who had grown astute in social interaction through his constant soldiering, thought his daughter unusually perceptive and intuitive, but nothing more. “Charm and empathy,” he observed. “As the bravado of her youth fades, I see her studying the behavior of those around her. She is developing intuition.” 
“She no longer seeks the company of other children,” complained Manoka in response.  She turned back to Fumu. “I see shyness or the beginning of an outsized ego. It must be corrected.”
“On the contrary,” replied Fumu as he shook his head. “I see maturity. Silence is confidence and, in Kimpa Vita’s case, betrays her interest in the well-being of others.”
Manoka had another explanation. “Her social prowess and frequent visions of the afterlife are a bridge to the simbi,” she told Fumu. “Her silence is something spiritual you and I are not capable of comprehending. We are not equipped to help her develop this gift.”
Fumu remained silent, a scowl on his face. He knew what his wife would say next. Communication with simbi, the ancestral spirits, was the central task of the suffering society, also known as the Kimpasi. Regarding his daughter’s fate, Fumu now understood where the conversation would lead.
“If, as you say, our daughter is interested in helping others, she must have an invitation and initiation into the Kimpasi,” declared Manoka, “where she can help many people at once.”
A group of spiritual healers who watched over the village and helped ease society’s woes, the mysterious Kimpasi were both feared and revered. Members trained initiates to become nganga marindas, witches in the eyes of the Church, but simply messengers of wisdom from their ancestors to the BoKongo. Still, due to the secrecy shrouding the society, nobody knew exactly what the Kimpasi did.
“Kimpa Vita is a healer,” concurred Fumu. “That is true. So must her education be by and among healers. A noble pursuit.”
Manoka was losing patience. 
“She has no need for further mastery of healing,” she growled. “What would she learn among healers? How to check a pulse or inspect an iris? How to corroborate suspected ailments in breath?”
“And why not?” demanded Fumu. “Who does not hold great respect for healers? Who might live with no healers in society?”
“She has basic knowledge of healing now,” said Manoka, trying to redirect the conversation. “Three days ago, she knew to apply bird fat on a burn I received from the fire. No,” continued Manoka with a shake of her head, “our daughter shall heal on a grander scale.”
“Through prayer, chanting, and song?” Fumu sniffed, with a hint of scorn for what he saw as misplaced hope. 
“The Kimpasi are healers of social and spiritual, not physical, ailments,” said Manoka, calm and unwilling to be drawn into an argument. 
“They are a society of alienation,” moaned Fumu. “Nganga marindas do not lead normal lives. They do not find good husbands.”
“My kanda is powerful,” laughed Manoka. “Any man would be lucky to marry into it.” 
Kandas, matrilineal clans, were the center of life in seventeenth-century Kongo. They influenced nearly every aspect of life and, to a great extent, determined a person’s personal and professional reach. Through her mother, Kimpa Vita was a member of one of the most important kandas in the kingdom. 
“Your kanda is wealthy and politically powerful,” agreed Fumu. “The Kimpasi would not refuse her, but to what end? They are bound by ritual and, like the Church, impose a shackle on critical thinking.” 
“Yet education must come from somewhere.”
“Life,” sighed Fumu. “Experience is the only true education in our mortal world.”
“The wisdom of elders. Lessons convey the experience of many lives.”
Fumu nodded. 
“Let us not feel compelled to force Kimpa Vita into always questioning her lessons,” pleaded Manoka finally. 
“That shall be her true gift,” replied Fumu with a shake of his head. “On that we cannot compromise. Even at the cost of terse supper conversation.”
“Tease less, then,” sighed Manoka, struggling to find any accommodation in Fumu’s beliefs. “By insolence she shall lose the favor of anyone who would impart wisdom.”
“By questioning she shall earn the respect of any worthy teacher,” countered Fumu. 
“She requires more than mere interaction with the children of my kanda,” bemoaned Manoka.  
“I cannot conceive of finer lessons in culture and custom,” declared Fumu with finality. He was ready for the conversation to end and moved towards the doorway.
Manoka had more to say, however, and refused to capitulate to any attempt to limit her daughter’s full potential.  As an only child, Kimpa Vita received her parents’ full attention.
“Would not tutelage with different teachers strengthen her ability to discern wisdom from folly?” asked Manoka. “Indeed, would it not strengthen the very reasoning and skills of logic that you so adamantly insist she hone?” 
Fumu stopped and turned back to his wife, trying hard to find a flaw in her argument. She saw the almost imperceptible nod from Fumu’s head and knew she had won. 
Throughout her life, Kimpa Vita often said that being born to her mother’s kanda was the greatest gift and most powerful advantage she ever received. Invisible to all but her husband, Manoka’s discreet advocacy may have been the most profound benefit Kimpa Vita heedlessly enjoyed.





R.S. Basi is an attorney, author, and lover of history.  His extensive travels in Africa have led him to continue to research that Continent’s history.  Basi’s first novel, The Black Hand of God, also about Kimpa Vita, was called “[a] much needed history in a great book” by Cyrus Webb of Conversations Live!, and “[a]n overwhelming, awe-inspiring account [of her life]...to be read and absorbed, which will leave you thirsting for more”- by the RAWSISTAZ reviewers.  During the year of its release, it reached #1 in three categories of download for Amazon’s Kindle. 



Get to Know the Author

Why did you write this book?

Our understanding of history, even African history, is skewed towards the perspective of vistors- that is, what we know about African kingdoms and heroes and heroines is not the same understanding as we would have if it were told from the African perspective.  The context, priorities and relevance would be vastly different. I wanted to write a novel about a legendary African from an Afro-centric perspective. Our kids need to be able to read about more black heroes and heroines. History is filled with them, and we need to have more effort spent on telling their stories.  That’s why I wrote this book…to help bring more of our past to light.

Who was Kimpa Vita?

Sometimes called the “African Joan of Arc,” Kimpa Vita was a political and religious reformer in the powerful Kingdom of Kongo.  She is often credited with being the mother of the African Independent Church movement, which seeks to reconcile traditional spiritual faith with Euro-centric teachings of the Catholic Church.

Claiming to be the reincarnation of Saint Anthony, Kimpa Vita led a crusade for the dignity and equality of African culture and belief. Though burned at the stake for heresy, she nearly toppled the king and church of her time and place.  Hers is an incredible story and I’m surprised her name isn’t more known.

How did you come to know about her?

While traveling in the area she came from, I kept hearing the name.  At the time, it was Zaire, but is now called the Democratic Republic of Congo (DRC).  I heard stories of Kimpa Vita and met a girl named after her. Coming back to the U.S., I spent months researching her and was surprised to find out how important and relevant she was to both African and American history.

How, if at all, is she relevant to African-Americans and U.S. Black history?

As the progenitor of the African Independent Church movement, which sought to reconcile African spiritual faith with the Euro-centric teachings of the Catholic church, Kimpa Vita’s influence is difficult to overstate. Indeed, her rallying cry was heard in Georgia’s 1739 Stono Rebellion, one of the largest slave uprisings in the British colonies, giving her life a direct connection to American history. 

What are some of the challenges you came up against when researching African history?

Finding primary source material was difficult.  Beyond the more obvious personal biases of the authors, layers of time, language, culture, and context make it a challenge to discern event from commentary.

Can you name some other interesting African Historical figures, especially women, that readers could research on their own?

Just a few that I think readers would find interesting are:  

      1. Taytu Betul, an Ethiopian Queen who was a freedom fighter and played a key role in defeating the Italians;
      2. Wangari Maathai- a contemporary heroine.  Founder of the “green belt” movement and winner of the 2004 Nobel peace prize for sustainability, democracy, and peace.
      3. The Mino (which means “mothers”).  In what is now Benin, the Mino were feared warriors, renowned for never running away from danger.


What do you think Kimpa Vita’s most important message was?

She advocated for cultural context when interpreting the lessons of religion.  This should resonate with anyone, no matter what the culture or belief. The idea that faith is specific and personal, shaped by the individual’s action and intention rather than ritual, is relevant to many philosophies and religions.  In the end, her message was one of dignity and equality and the power therein.


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A Contemporary Romance: Reminiscing, by Tierra Cox



Tierra Cox is a poet and a writer who has been writing for public audiences for the past three years on her blog on Tumblr. She crafts tales with elements of fantasy and the paranormal and mixes in multicultural love. Tierra is fueled by the idea of blending the two, specifically for black women and POCs. With an educational background in creative writing, she will be graduating this fall with a Bachelors in English Literature. When she isn't writing, and that isn't often, she can be found in her Texas home catching up on new Sci-fi movies.



In this raw, emotional, and beautiful debut, Tierra Cox brings readers a quaint bwam, contemporary romance about love and fame, and how at the base of it all, we're simply humans looking for a special connection with another soul.

KyuBeom Yoon is known as the ice prince of the renowned K-pop group, C4. All he wanted was to get away from it all—the lights, the cameras, and the fame that comes with being an idol. And all he wants is Maya Campoy. With Maya, he gets the chance to feel normal, to be loved, to be happy... 

Unfortunately, things don’t always go as planned. Years later, he finds himself on a radio show reliving a tale of love and heartbreak, wondering if, at the end of it all, she’ll give him another chance.



Read the Excerpt Now:

KyuBeom listened to the host talk nonchalantly after that. The show was winding up for the night, and he let the thoughts of her drift in and out of his head as he listened to callers and took questions. He’d known this would pop up, some women telling him of their love and asking if he could fall in love again. Others complained he had gone to America and found love. “What was wrong with Korea?”

At the end, he stood up and thanked the MC for his time. 

The older man smiled at him. “I’m really interested in hearing this. My whole show is based around lost love, love newly found, and missed connections. Your story sounds like all three! Same time tomorrow? Should I call your manager?”

KyuBeom shook his head. “I mostly do my own thing now. I’ll be here.” 

He exited the building, pulling his coat once more around his neck. The car was here this time, and he walked the short distance to the door as ice crystals stung his cheeks. She would have loved this. She liked snow. 

He placed his hand on the door handle and heard her soft laugh in his ear.


Get to Know the Author:

When did you start writing? 
I wrote my first story when I was eleven years old. It was about a girl who was sent to her people’s goddess in an attempt to save their village. The story ends with the goddess becoming her mother and the destruction of her town. I was quite proud of it and have since revamped it from my eleven-year-old storytelling self. 

What inspires you to write?
A need to tell a story I have not heard before. There’s nothing more difficult. I read and watch a lot of fantasy and paranormal fiction, and there’s a plethora of characters and themes to work with. I want to tell a great story that immerses someone in a different world. I would say that and because my grandfather told me writing was my gift. “Not everyone can weave a great tale,” he would say to me.

What inspired you to write, Reminiscing?
You always hear stories about a man falling in love with a woman, and it's his family who never accepts her because she’s poor or uneducated. Sometimes, it’s simply because she’s black!  I thought, “Okay, but what if she’s black and it’s her family who doesn’t want him around?” Now let’s make this interesting and add a K-pop twist!

Who are your favorite writers/poets?
Authors: Anne Rice, Barbara Kingsolver, Beatrix Potter, Octavia Butler, and Toni Morrison. My favorite poets are Langston Hughes, Maya Angelou, and Robert Frost.

Who is your biggest inspiration?
My grandfather and my sisters. My Pop-pop died about five years ago, but his influence is still heavily around me. I write because he believed in me. He sealed my love of literature, and I know that from where he is, he’s very proud of me. 
My sisters are my best friends—I have three younger sisters who are a constant source of inspiration. I can have an idea, pitch it to them, and they’ll hype me up, give me advice and keep me on it until it’s done. My sister, TaBryn, was heavily involved with Reminiscing

Why do you write, or prefer to write, paranormal/fantasy literature?
I hardly ever see black women as protagonists and love interests in this genre. They have been sidekicks and antagonists, but hardly ever the one running the show. On a personal level, I love everything that has to do with the metaphysical. I’m heavily involved in that arena. There are so many things to talk about—energy levels, moon phases, candle magick. Many of these aspects are actually integral parts of African-American culture. If you look back at our history, no matter where you stand with religion, you know someone who is a root worker, who does a little hoodoo. I think the fun aspect is combining all these truths with just a little, What if?

Where do you see yourself going with your writing? What upcoming works should we be looking forward to?
A Netflix special (lol). Really, that’s all I want. I don’t care if I never get a huge following and my name isn’t known in households. I would be just as happy to have a small, cult following. I can be a Donnie Darko type of writer instead of Twilight massive. As long as there are people who are excited to have my latest thing, I’ll be happy to pump out my many, many ideas. What I’m most excited about is this Faustian pact, Christian mythology novel I’m working with. It’s called He Calls Himself Veles and sometimes it gives me Anne Rice vibes, so I hope it’s as good as I think it is.

Find the Book and the Author:

Facebook: https://www.facebook.com/tierrawritesromance
Twitter: https://twitter.com/XenomorphKhan
Website: www.tierrawritesromance.com
Email: tierra.d.cox@gmail.com
Buy Link: https://smile.amazon.com/dp/B07XN8X9W3/ref=nav_timeline_asin?_encoding=UTF8&psc=1

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Queen of Beasts: Breaking Mika, By Phoenix Williams



Phoenix Williams, as seen in Sheen Magazine, is a CEO, screenwriter, bestselling, award-nominated author, and a public speaker, she credits her success to standing in her truth, obsessing over anime, owning who she is, and giving her fears the bird. In her own words, "I write books and talk shit." From her erotic romance series, Sex, Lies, and Friendship, to her paranormal series, Queens of Beasts, this self-proclaimed smutty, smutty princess has captured the attention of readers and industry leaders alike.   
 


Plagued by secrets, haunted by memories, and tortured by inner demons, Mika Mashall is a woman not to be trifled with. Returning to Hell Fire Valley after thirteen years, she is put in charge of finding who wanted her beloved grandmother murdered. Add on the fact that she was Turned into a shifter against her will and it's no wonder she's having a hard time controlling her bloodlust.
Suffering from Hell Fire Valley's Alpha curse, Andrew Bayer is more animal than man. With the weight of one of the few Bear clans on his shoulders and a past that has him seeing ghosts around every corner, Drew finally finds his salvation in the form of one woman: Mika Mashall.
With danger lurking in the shadows and secrets brewing just beneath the surface, Mika and Andrew learn that love and destiny cannot solve everything but death can. What else would you expect when Drew The Destroyer and Mika The Berserker team up?


Read the excerpt now.
 
MIKA
Eight Years Ago...
The old Jeep bounced and rocked on the unpaved road. The scent of soil, plants, and sleeping predators filled my senses. The sun peeked through the canopy of trees, warming my skin.
This was paradise.
This was sanctuary.
This was home.
Five years in the Amazon and I was starting to feel like I kinda belonged. That was all thanks to Mikael and Amande. In their own way, they loved me like the child they never had. When I was eleven years old, they finally set me down and told me everything. From why I was brought here to what my parents really did for the government, nothing was off-limits. Including, the fact that I was now expected to continue in the line of business Mikael and Amande were in. From the wars in wilds of Africa to assassinations on Mafia bosses, the three of us were who you called.
Mercenaries.
Human weapons.
Angels of the underground.
And I was the star.
For as far back as I could remember, I was always physically stronger than everyone else around me. With Mikael and Amande’s training, I was able to harness that strength and make more money than most people saw in a lifetime.
Even with their love and companionship, I felt like a piece of me was missing.
Four pieces to be exact. My sisters. I needed them like I needed the air in my lungs. We had an unshakable bond, and I missed them terribly. The loneliness slowly turning into a rage that bubbled inside of me. Good thing my job was killing otherwise I’d go crazy.
Even in the soft nosiness of the Amazon, a tiny voice in the back of my head kept urging me to fight everything.
No wonder they call me a beast.
“You’re quiet, kostbaar,” Amande said, making a sharp turn. “Thinking about your sisters?”
Smiling as I leaned back against the worn leather seat, I turned my head in her direction. I loved it when she called me her love or sweetheart. It made me feel more like a real member of her and Mikael’s family instead of an assassin-in-training.
Truth be told, I wished that Amande and Mikael were my real parents. This woman knew me better than my own mother. According to her, I may not have been the daughter of her body, but I was the daughter of her heart.
“Yeah,” I sighed. “I wonder when we’ll hear something.”
“No worries, dochter. Mikael and his friends are the best trackers, they’ll find them for you.”
She said it with such conviction that I had no choice but to believe her as the Jeep bounced on the unpaved road. Fifteen minutes later, we were pulling up to the base of our home in the trees. Amande parked in front of the garage that Mikael had built for her a few years back.
Stepping out of the car, I stopped dead in my tracks. Breathing deeply, my stomach roiled as my lungs filled with the scents I was now intimately familiar with: malice, deceit, and blood. A quick glance to Amande told me that she smelled it too. As much as I wanted to rush up the stairs to see what the fuck was going on, the training that had been ingrained in me wouldn’t allow it.
With silent steps, we quickly made our way up the long set of stairs that led to our front porch. This was the one time that I hated living in an actual treehouse. Drops of blood coated the glossy wood, and I sent up a prayer to whoever lived in the sky that Mikael was alive. Following closely behind Amande, it was her scream that let me know my prayer hadn’t been answered. Shoving her out the way, I collapsed at the sight before me. Mikael.
Father of my heart.
Lying in a puddle of his own blood.
His chest rattling with each breath.
Looking around frantically, my eyes landed on the front door. Amande’s screams of horror were quiet compared to the thundering of my own heart. Something deep inside of me was clawing to get out. The tiny voice in my head became a bit louder as I read the note written on our door in Mikael’s own blood, his eyeballs hanging from our doorknob.
Stop looking for the Mashall sisters ~ MarcelloMikael’s own best friend, the man I called uncle, had done this to him and he wanted me to know. Wanted me to come find him. Wanted me to end his fucking life. That was the only reason he would leave his name. He was challenging me. Well, challenge fucking accepted.
Amande was on the satellite phone speaking rapid Dutch. The sound of engines was drawing closer. Her family would be here soon. They would save Mikael. I, on the other hand, had shit to do. Racing down the stairs, I ran through the jungle, daring any predator to fuck with me right now.
Two miles later, I was running up to Marcello’s treehouse. He waited for me on the porch, eyes filled with pain and resignation. There would be no victors in this battle.
One of us would die, and the other would live, the blood of a loved one on their hands.
With a roar that I didn’t know I could produce, I lunged for him, and the world went dark.
When I came to, I was standing in a pool of blood and body parts. Marcello’s wife weeping as she held what was left of his crushed skull between her hands.
Later, they would tell me that I tore Marcello’s body limb from limb. Later, they would tell me that I wouldn’t stop until my bloodlust was sated. Later, they would tell me that I behaved like the beast everyone accused me of being. Later, that battle would become one of legend.
All I knew for sure was that night changed me.
That night I learned my parents were more powerful than I could have ever
imagined.
That night I learned my sisters and I were worth more than two men’s lives.
That night I learned to trust no one.
That night I learned that asking for help resulted in death.
That night something inside of me broke.
That night I became Mika The Berserker.
 

Get to Know the Author:
  • How did you get started?
    • In my last year of college, right before I went to law school, I decided to drop out. Of course, my parents were pissed but I had I had to take that leap of faith and I follow my dreams. So, I decided to believe in myself and start writing. I've been blessed to find success in something I love to do.
  • You've written in the genres of Street Lit, Erotic Romance, and Paranormal. Which is your favorite?
    • I love them each for different reasons. Street Lit has that gritty feel. Erotic Romance allows me to showcase my inner smutty, smutty princess. Paranormal lets me create fantastical worlds. I can't pick just one. It would be like picking your favorite child.
  • Now, your readers of your erotic romances have dubbed you the smutty, smutty, princess. What does that mean and can we all be one?
    • A smutty, smutty princess is a woman that is unashamed of who she is and what she wants. She owns everything about herself from her flaws to her sexuality. We can all be a smutty, smutty princess. All you have to do is let go of your inhibitions and the perceptions of society.
  • Queens of Beasts is your paranormal series that is taking readers by storm. What was the inspiration behind this epic tale?
    • Honestly, it was my love/obsession with anime and manga lol. I wanted to create the worlds that I've grown up with in that medium. I also wanted to make sure that the main characters were badass females.
  • What can readers expect from the third installment? The first book, Queens of Beasts: The Life, Love, and Death of Adara Mashall, had us all going crazy. Queens of Beasts: Breaking Mika has been hyped up for a year. So, you know we are expecting great things.
    • With Breaking Mika, you can expect a deep dive into the lore and mystery of Hell Fire Valley. In book two, Taming Revy, there were decisions made that have a direct effect on situations in Breaking Mika. I'm giving you lore, fantasy, mystery, thriller, and, of course, a love story.
  • What advice would you give to up and coming authors?
    • Stay humble and understand your position. You are new, not known. You can't expect to start on Monday and be a star by Friday. You have to put in the work. You have to pay your dues.
  • What's up next for you?
    • Several series lol. We have the Club Sugar series, the rest of the Queens of Beasts series, and the anniversary special of Sex, Love, and Other Drugs.


Find the Book and the Author
Facebook: www.facebook.com/phoenixwilliams01
 
 

 
 
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